The Kills rock foundation of Apogee Studio away from the harsh winds of Coachella
Mark E. Ortega
Grimygoods.com
April 22, 2016
The Kills vocalist Alison Mosshart paced the tiny stage at Apogee Studio back and forth, biting her nails waiting for guitarist Jamie Hince to launch into the opening song of their KCRW Morning Becomes Eclectic performance. Once “U R A Fever” started, Mosshart and Hince were all business, after engaging in an oft-hilarious 20-minute conversation with Jason Bentley.
Of the things discussed, Mosshart called The Kills’ Monday show at the Mayan Theater the best they’ve ever played, so if you were at that show consider yourself extremely lucky. She also said their Coachella set on Friday was difficult, with extremely gusty winds blowing dust into her mouth while she sang, the sunlight also making it hard for her to see Hince across the stage from her. You wouldn’t know there was any difficulty given how epic their set was.
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Showing posts with label Morning Becomes Eclectic. Show all posts
Showing posts with label Morning Becomes Eclectic. Show all posts
Friday, April 22, 2016
Friday, August 21, 2015
Glen Hansard makes Apogee Studio crowd laugh, nearly cry
Glen Hansard makes Apogee Studio crowd laugh, nearly cry
Mark E. Ortega
GrimyGoods.com
August 21, 2015
If there’s one thing that Glen Hansard has proven to be in his songwriting, it’s that he is one hell of a storyteller.
Wednesday night, Hansard only further illustrated that point in an intimate performance at Santa Monica’s Apogee Studio for KCRW. What I expected to be an hour-long performance — including interview — turned out to be a nearly two-hour performance that included an intriguing 30-minute sit down with host Jason Bentley.
Click here to read the rest...
Mark E. Ortega
GrimyGoods.com
August 21, 2015
If there’s one thing that Glen Hansard has proven to be in his songwriting, it’s that he is one hell of a storyteller.
Wednesday night, Hansard only further illustrated that point in an intimate performance at Santa Monica’s Apogee Studio for KCRW. What I expected to be an hour-long performance — including interview — turned out to be a nearly two-hour performance that included an intriguing 30-minute sit down with host Jason Bentley.
Click here to read the rest...
Thursday, August 6, 2015
Ratatat turns up the heat at Sonos Studio
Ratatat turns up the heat at Sonos Studio
Mark E. Ortega
GrimyGoods.com
August 6, 2015
KCRW’s Jason Bentley apologized afterwards for the air conditioning being busted at Sonos Studio, but I’m not entirely convinced rock-tronic duo Ratatat weren’t the ones responsible for the sauna-like temperatures inside.
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Mark E. Ortega
GrimyGoods.com
August 6, 2015
KCRW’s Jason Bentley apologized afterwards for the air conditioning being busted at Sonos Studio, but I’m not entirely convinced rock-tronic duo Ratatat weren’t the ones responsible for the sauna-like temperatures inside.
Click here to read the rest...
Tuesday, April 21, 2015
Alabama Shakes give special intimiate performance at Apogee Studios
Alabama Shakes give special intimiate performance at Apogee Studios
Mark E. Ortega
GrimyGoods.com
April 21, 2015
Just a few days removed from their second of two tremendous sunset Coachella sets, the soulful Alabama Shakes performed a much more intimate — and just as affecting — set at Apogee Studios yesterday in Santa Monica.
I myself had just returned from my second weekend in the desert, and anyone who has been to Coachella before can attest that it usually necessitates a 24-hour recovery period of doing nothing but sleep. This year, one hour of seeing Brittany Howard and her band was enough to shake me out of that funk. Not one minute into the set-opening “Miss You” and I was moving my feet as though I hadn’t just watched three straight days of live music.
Click here to read the rest...
Mark E. Ortega
GrimyGoods.com
April 21, 2015
Just a few days removed from their second of two tremendous sunset Coachella sets, the soulful Alabama Shakes performed a much more intimate — and just as affecting — set at Apogee Studios yesterday in Santa Monica.
I myself had just returned from my second weekend in the desert, and anyone who has been to Coachella before can attest that it usually necessitates a 24-hour recovery period of doing nothing but sleep. This year, one hour of seeing Brittany Howard and her band was enough to shake me out of that funk. Not one minute into the set-opening “Miss You” and I was moving my feet as though I hadn’t just watched three straight days of live music.
Click here to read the rest...
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